The only Disney-fication was to Death on the Nile to change the opening spotlight from 20th Century Fox to 20th Century Studios. Murder on the Orient Express and Death on the Nile were made and finished under 20th Century Fox. I was talking about the movies he inherited, and there is no question those were dumped to theaters.ĭude. I for one look forward to seeing more of this wondrous unravelling and exposition.Now you're talking about the movies being made on his watch. Ridley Scott may still have time to catapult his mythos to legendarium, if his subsequent sequels after Covenant retain purity of spirit with his expanded universe. If anything the buffoonery of crews almost seems to justify their fate and reduces sympathy accordingly. Predecessor films did not showcase human hubris and blundering to such a great extent - protagonists always took calculated risks. The only criticism I have of Prometheus and the sequel Covenant is the proliferation of human stupidity. The android is a central theme in the alien mythos, an expression of creation and self awareness. Was his programming to blame, or the algorithmic output of his treatment at the hand of cruel masters. I recently rewatched in 4k format and developed a greater appreciation for small clues hitherto unseen - for example navigation hologram destinations in a reactivated ship of mass destruction.ĭavid is himself a conundrum and a polarizing figure. Getting back to the film itself - such gorgeous cinematography and production values. Deep connections to established historical finds on earth make this origin story even more personal - the myth of alien astronauts, benevolent or cruel giants from the stars with incredible, magical technology - creators and destroyers of worlds. The true mark of success that Ridley Scott achieved was igniting years of debate around the origin and nature of the engineers and their creations. It hurts even more to see how badly utilized this new mythos was in the follow up Covenant. How often does a master filmmaker get to revisit their original oeuvre and recreate an even bigger world around and about it? The myth of the engineers and their world changing experimentation is absolutely romantic, compelling and terrifying at the same time. Prometheus is an eminently rewatchable film that provides new layers of meaning with each repeat visit.

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